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PRACTICE
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The
Practice |
Design
Philosophy |
Craftsmanship
& Soul |
Services
Offered |
Frequently
Asked Questions |
Personal
Profile |
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| The
Practice |
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Richard Twinch Design was established in 1981. During the 1980s the
practce was mainly involved with
developing computer design tools to solve technical problems -
condensation, daylight, energy usage etc. The software was then used to
solve other organisations' problems - mainly insulation and steel frame
manufacturers. Richard Twinch also charted the rise of CAD (Computer Aided
Design) in a monthly column in Building Design magazine between 1985 and
1995. |
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During the early 1990s
the emphasis was on teaching - in particular helping The Prince of Wales
establish his Institute of Architecture in London and then latterly,
after a move to Oxford, helping set up the International Studies in
Vernacular Architecture Department at Oxford Brookes - as well as teach
in the Diploma School of Architecture.
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Architectural
commissions were underway throughout this time (Library
in Grantchester, House Conversion
and Mews
House in London for David Ogilvy and hotel signs for the Holiday Inn at
Heathrow in 1997) - but the practice only started in earnest in Oxford in 1998 after
the completion of the Kitchen/Dining Room
extension in Hill Top Road which was a finalist in the Downland
Competition in 1999 and was featured in the national & local press. |
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In the last eight years
over thirty projects
have been completed, most of which were supervised on site by Richard
Twinch. Many more projects have been granted full planning permission,
but not gone ahead for various reasons. Only one full planning
application has been rejected in the last 8 years.
Increasingly the
practice's work is concentrating on the 'front end' i.e. feasibilities,
planning and working drawings - as on all but the larger jobs, clients
are preferring to manage their own projects.
The practice works as an association
around Richard Twinch, the proprietor, and as work expands others are brought in to help with the workload in
particular David
Hyams RIBA (Oxford). Simpson Assocs (Henley) and other local engineers
provide valuable engineering advice and calculations. It is advisable to
have a full transferable building survey carried out, so a surveyor is
brought in at an early stage. The increasing sophistication and speed of
accurate computer modelling allows a 3D computer model to be used as routine from the earliest design
stages. A physical model maker
can also sometimes prove valuable for tricky spatial/construction
problems.
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| Design
Philosophy |
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| Imagination
& Tradition |
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Each project represents
a unique challenge. The uniqueness lies in the combination of the
building fabric; the hopes, dreams and means of the owners; and the
situation - the site - which includes the relationship to the garden,
the street, the sun and wind as well as the neighbours and the wider
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The possible, 'new',
unified whole is perceptible through imagination, which is able to
transform what appear to be disparate and often conflicting
requirements. The means of architecture are light and space which are
described by the enclosure (walls, roof, floor) but which have the
capacity to 'flow' - so the inside flows to the outside and vice versa.
Defining and modulating the flow of light and space is the 'art' of
architecture. The choice of materials is also integral to modulating
light and space.
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Transforming the built
environment has the capacity to transform people's lives. Children are
particularly sensitive to their environment and the practice welcomes
the opportunity of working with families young and old.
Imagination without
knowledge and experience results in fantasy. Richard Twinch has over 30 years
of experience studying, practicing architecture and making buildings at
many different levels. He is well versed in geometry and proportion;
traditional building techniques and modern technologies, and these are
all brought to bear in assessing and developing each project
imaginatively.
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The design is the result of a
well tried and developed process which starts by examining the
possibilities and likely problems and finishes with the crafting of the
building - the physical construction.
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By
being swift and efficient at the 'paper' stages by using computer
technology, the practice ensures that resources are concentrated to
ensure good quality construction, which is what counts at the end of the
day.
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Much emphasis is placed
on affordability and achievability - the feasibility study has been
evolved to identify cost implication and likely planning response at an
early stage, so clients do not end up chasing unrealisable goals or
making marginal improvements (sometimes it is best just to move house).
Throughout the project, budgets are monitored as the scope of the
project fluctuates. Change is inevitable at each stage of the process -
managing the changes is the key to avoiding unexpected expenditure.
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Without good builders
and craftsmen, however good the design, the result will be
disappointing. The practice works with craftsmen and builders - some of
whom it has been working closely with for over 20 years. The range of
craftsmen is being constantly expanded, and new techniques and
technologies investigated to bring about beautiful and efficient
buildings. |
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| Craftsmanship
& Soul |
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Craftsmanship
& Soul: Picture Gallery
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As
well as an appreciation of the benefits of modern technologies, crafted
items in wood, brick, stone and iron give a building 'soul', which goes
beyond 'character'. Examples of such craftsmanship can be viewed by
following the hyperlink above.
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| Services
Offered |
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For projects presently underway see
NEWS.
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| Feasibility
Studies |
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These are carried out
initially to assess whether or not a project is feasible. The
feasibility study:
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looks at
the whole situation
examines
the main strategies whereby the building/buildings will meet client
needs both now and in the future
concentrates
on 'dreaming up' possibilities and examines them in the light of space
planning, volumetrics, cost and timing
clarifies
ideas and aims
typically
takes a few weeks and costs several hundred pounds
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Volumetric
study: £55K extension for 94 Old Road, Headington, Oxford. Completed
August 1999. |
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| Planning,
Listed Building Permissions & Cost Estimates |
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Once the main
strategies and budget have been agreed on, the planning process
involves:
discussion
with the relevant authorities (including those for listed building
advice)
the
detailed design, including sections, elevations and
materials.
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Depending on size and complexity the
planning/estimating stage takes a couple of months and costs between
£1000 and £2000. Formal planning permission takes circa 8 weeks from
application. |
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Computer
photo-montage for planning permission:
Photos
can be taken from specific points and then
be merged with 3D computer models to provide realistic 'before &
after views for clients and planners.
This
process was used to gain permission for an extension to a house in
Southrop. This is particularly useful in
sensitive areas.
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| Health
& Safety Planning Supervision |
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Domestic clients
do not have to meet CDM Regulations but their architects do. Richard
Twinch, as a qualified Planning Supervisor, will identify H & S
problems at an early stage and include their requirements at all stages
of the process.
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| Party
Wall Agreements |
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All buildings
that are built close to the plot boundary, or share a boundary, are
subject to Party Wall Agreements. At an early stage every effort
is made to reach an amicable agreement but should a dispute arise a
Party Wall Award can be drawn up by Richard
Twinch together with other Party Wall Surveyors (see DETR booklet The
Party Wall Act etc. 1996:).
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| Building
Regulations |
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In small
works a 'Building Notice' is used. This means that the Regulations are
complied with and inspected during the building works.
In more complicated projects Building
Regulations are dealt with by submitting detailed plans, sections,
elevations and calculations including heat loss (Part L1) and any
structural calculations to be carried out by an engineer coordinated by
Richard Twinch Design. It is advisable to get permission in principle
before the work gets underway as the regulations are getting more
onerous and specification ever tighter.
The
overall standard of thermal insulation has increased- in effect widening
walls to add more insulation and reducing the amount of glazing you are
allowed. As before, additional glazing can be traded off against
additional insulation - although now it is assumed that double-glazing
is argon-filled as standard. Designs with a high proportion of glazing
now need triple-glazing together with thicker walls and roofs - all of
which have cost and space implications.
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| Details
& Specifications |
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Prior to going
out to tender, key constructional details must be designed and a
specification written to cover standards, fixing, workmanship etc. |
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| Tenders |
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Once a full set
of details and drawings are prepared the job goes out to tender either
with a selection of suitable building contractors or with a selected
contractor. The negotiations are based on the previous detailed schedule
and cost estimate.
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| Contracts
& Site Supervision |
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On selected
projects, Richard Twinch
Design offers full contract management (using JCT 98) and site
supervision. For small contracts & fitting out, a partial service often includes a direct
contract between client and builder with quality control being carried
out by Richard Twinch Design. This can be managed using a special JCT
Homeowners Contract. |
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| Fees
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There are 4
stages:
Feasibility
Planning
Party Wall Agreements, Working Drawings, Specification, Tender
Contract Management, Details, Site Supervision
Fee estimates are drawn up in advance and
compared overall with the standard RIBA (Royal Institute of
British Architects) fee scale for the works. Each stage is agreed in
advance together with a formal letter of agreement as required by ARB
(Architects Registration Board).
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| Insurance |
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Professional
Indemnity Insurance up to £500,000 is held as required by RIBA and ARB
(Architects Registration Board). |
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| Frequently
Asked Questions |
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Will an extension require planning?
How much will it cost?
What about Building Regulations?
How long will it take?
What about the neighbours?
Can I convert my loft?
What about Listed Buildings?
Can I save VAT on Listed Building?
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Note: All the
information regarding these questions is offered in good faith - it is not comprehensive but is designed to help give an overall picture of the processes involved. Each project is unique and needs assessing individually. Richard Twinch RIBA, Richard Twinch Design Associates nor Richard Twinch Design Ltd. take no responsibility for any errors or
omissions in the information supplied on this website |
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| Personal
Profile |
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| Richard
Twinch |
| 1973 |
RIBA Part I (Clare
College, Cambridge) |
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| 1976 |
MA (Cantab) |
| 1977 |
RIBA Part II |
| 1977 |
AA Diploma |
| 1981 |
Registered Architect |
| 1982 |
RIBA Membership |
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Recent Positions: |
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External
Examiner Prince of Wales's Foundation 2000/01 |
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Tutor
& Lecturer Oxford Brookes University: |
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International Studies
in Vernacular Architecture 1996
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Oxford
Brookes Diploma Course 1996-2000 |
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Expert
Validation Assessor, University of Wales 2000 |
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Consultant to
Celotex (major
insulation manufacturer) 1983-95 |
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